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Showing posts from January, 2026

See That Girl, Hear That Scream, Best Horror of the Year Seventeen: The Best Horror of the Year Vol. 17 (ed. Ellen Datlow) Part I

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                                                                                                                   I've written before about the mixed feelings I had when I was getting back into horror fiction after college and I encountered the first few of Ellen Datlow's The Best Horror of the Year series (something of a spiritual successor to her important work on the Year's Best Fantasy and Horror series). "Where's the horror?" I asked myself at the time. In retrospect, I think it was always there and I needed to expand my notions of horror a bit.  No mixed feelings today, though: The first half of this book is great (the second half is t...

Night/Day (ed. Ellen Datlow) Part II: Day

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I was excited for Day , since the concept--horror set in and/or about the day--is a challenging and creative one. There are three categories of story here: Ones about the day and the daylight as such as the setting for horror (this is what I expected going in). Ones about light as such, but not necessarily day . Ones that seem to be using daytime and taking place during the day as a way to juxtapose horrific content with the quotidian. As before, I'll be noting how diurnal each seems to be.  The Bright Day by Priya Sharma Synopsis : The UK of the future is a sun-scorched wasteland full of cults and scavengers. How Diurnal Is It ? Type 1. This story has to take place in the daytime, and it was the obvious choice as opener for the Day section. Light, brightness, and daytime are all the subjects of horror, possibly even on a supernatural level. Thoughts : This is a grim, Mad Max as horror story tale in the vein of The Road . The first section is good and tense, and cinematic without ...

Night/Day (ed. Ellen Datlow) Part I: Night

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                                                                                                         I like to divide my longer book reviews up into two parts, and it so happens that this Saga Double (in the venerable tradition of the Ace science-fiction doubles) is perfectly suited. We have 18 original horror stories here--9 set at night, and 9 set during the day. It's a fun conceit, and anchored by the exquisite cover-art. And that's one hell of a table of contents--we have a roster of heavy hitters here, so let's get to it. Starting with Night . I went into Night  a bit nervous because, while the lineup of writers was great, "horror stories set at or concerning the ...

Here Waits Thy Doom: Doom City (ed. Charles L. Grant.)

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                                                                                                      Happy New Year! Let's start things off with a return trip to Greystone Bay --Charles Grant's creepy seaside New England town, and the setting for four shared-world anthologies in the 1980s and 1990s. I love these books; even if the story quality is variable (as is usually the case with an anthology), the cumulative impact of these foggy, damp streets and creepy old houses is effective. Let's get to it! Introduction by Charles L. Grant Synopsis : A quick (re)introduction to the haunted town of Greystone Bay, as painted by local artist Tom Blouseter . Thoughts : Just what we want --an amu...